Table Of Content
- Michael Boom: How should God’s chosen people be defined?
- Florida abortion amendment has enough signatures to appear on the ballot this year
- “1926 AND THE MOVE FROM KINGSWELL AVENUE”
- These are the California cities where $150,000 still buys you a home. Could you live here?
- Arizona Gov. Katie Hobbs vetoes bill requiring abortionists to save babies born alive in botched abortions
- DisneyTips.com Your Guide To A Great Disney Vacation

Virginia’s father, Walt Disney, Virgina Davis, and Roy O. Disney film a live-action sequence on a vacant lot at Rodney and Hollywood Boulevard. The space cost the Disney Brothers $10 a day, and was just a short distance from their Kingswell Avenue studio. It was used for several live action portions from Alice Hunting in Africa and Alice the Jailbird (pictured). As for the Alice Comedies, the live action sequences were often shot unrehearsed as Walt directed Alice from behind the camera.
Michael Boom: How should God’s chosen people be defined?
But as I pointed out in my post about Googie architecture from last year, the artists and animators working on “The Jetsons” didn’t really need to leave their own backyards for inspiration. The Hanna-Barbera Studio which produced “The Jetsons” was in Hollywood and in the late 1950s and early 1960s buildings all across Los Angeles had that mid-20th century modern look that would become identified as Jetsonian. Black city, silhouette of modern high houses, vector icon.
Florida abortion amendment has enough signatures to appear on the ballot this year
After moving out from his uncle’s house, Walt and his brother, Roy, bounced from the Olive Hill apartments to a second-story room at Charles and Nettie Schneider’s boarding house. In order to fund the Alice Comedies through Disney Bros. Cartoon Studio, the brothers would share the room and eat every meal at a cafeteria from late 1923 to July 1925.
“1926 AND THE MOVE FROM KINGSWELL AVENUE”
Above all, there is “The Simpsons,” which came along 17 years later, the first prime-time animated show since “Wait” to center on a more or less ordinary human family. Satire was always a point of the show, but the fact that the family was tied together by something more than expediency, something that might on a good day be called love, was key to its success. The architecture from “The Jetsons” clearly takes cues from architects who worked in the midcentury modern/Googie style, like John Lautner and Oscar Niemeyer. Jetsonian architecture also seems to draw from the work of Charles Schridde in his series of ads for Motorola in the early 1960s which ran in the Saturday Evening Post and Life magazine. The architecture from “The Jetsons” clearly takes cues from architects who worked in the midcentury modern/Googie style, like John Lautner and Oscar Niemeyer.
These are the California cities where $150,000 still buys you a home. Could you live here?
That vacation home – Mr. Spacely’s “old fishing cabin” — is one of my favorite examples of Jetsonian architecture. Create a commenting profile by providing an email address, password and display name. You will receive an email to complete the registration. Please note the display name will appear on screen when you participate. "Their goal is to repeal Arizona's 15-week abortion law and replace it with a constitutional amendment that would allow unlimited painful late-term abortions in the fifth, sixth, seventh month of pregnancy and beyond," she added.
And just as we’ve seen mention of the Jetsons become a kind of shorthand way to talk about the technology of past futures, so too has “that Jetsons look” eclipsed Googie as the descriptor of choice for people talking about architecture from the futures that never were. People may think you’re saying Google, when you mean Googie. But fifty years after its debut, there’s no mistaking the Jetsons landscape. Much like both “Elroy’s Pal,” and “Elroy’s TV Show,” this episode ostensibly gives viewers another look behind the scenes of television production. George and Astro are involved in a misunderstanding (isn’t that always the way?) where they think they’ve witnessed a robbery.
Bell Ringer: The White House and Political Cartoons - C-SPAN
Bell Ringer: The White House and Political Cartoons.
Posted: Wed, 03 Jan 2024 08:00:00 GMT [source]
Arizona Gov. Katie Hobbs vetoes bill requiring abortionists to save babies born alive in botched abortions
Extra Copy opened in 1994, and shortly thereafter owner Ben Chaaban would first be made aware of the former Disney Brother’s Studio at his shop’s address. This revelation would come upon receiving an emotional visit from an older woman who once worked there. That older woman was Ruth Beecher, sister of Walt and Roy Disney. Throughout several decades and owners, the former Disney Brothers Studio Kingswell address would begin to gain a cult following but only little recognition. During the 1970s, Walt Disney Archivist Dave Smith would write an article about the Los Angeles address of “the first Disney Studio” which would appear in the Disney Times (July, 1979). You might recall that Elias’ brother Robert moved from Marceline upon his retirement, and purchased property in a neighborhood on the border of Hollywood and Vermont.
"We mourn for the loss of the children who would have been protected, and the mothers who would have received life-affirming help to address their holistic needs, under Arizona's strongest pro-life law," she said. If passed, the 15-week abortion restriction enacted in 2022 would replace the near-total abortion prohibition as the law of the land in Arizona. Voters in the state are slated to weigh in on a ballot measure that would establish a constitutional right to abortion if passed. Mike Luckovich is the award-winning editorial cartoonist for The Atlanta Journal-Constitution. He has twice been recipient of the Pulitzer Prize for editorial cartooning, in 1995 and 2006. Mike joined The Atlanta Constitution staff in 1989, and he rarely cleans his office.

Stagecoach 2024: How to stream Morgan Wallen, Miranda Lambert and other sets at home
Among the not-all-that-many new series premiering this second pandemic fall television season is Paramount+’s lively “The Harper House,” a situation comedy starring Rhea Seehorn. It’s about a family that, having lost its main source of income — the mother’s job — moves from the richer side of town into a fortuitously inherited property on the poorer side. That’s not an unfamiliar premise in the history of television, but what sets “The Harper House” apart is that it is a cartoon. Another building which clearly inspired the architecture of the Jetsons universe was the Chemosphere. Designed by John Lautner and built in 1960, the home looks like it could take off into the sky like a flying saucer at any moment. The Chemosphere sits in the Hollywood Hills and has been an incredibly popular shooting location for films and TV shows that need a futuristic feel — including a 1964 episode of “The Outer Limits” set in the 21st century.
Mike Judge’s art (he also created “Beavis and Butt-head”) is something less than elegant; some of his characters seem to lack ... Anatomy, to be held up only by the ink they’re rendered in. But the awkwardness echoes characters who are themselves awkward, often confused by the world or reaching for something beyond their grasp. It’s impossible to imagine a live version of Bobby Hill better than the animated one — and, of course, he couldn’t be played by Pamela Adlon. But the first straight-ahead, contemporary cartoon sitcom, also from Hanna-Barbera, is 1972’s “Wait Till Your Father Gets Home,” a generation-gap comedy with Tom Bosley (soon to play Richie Cunningham’s father on “Happy Days”) as a man unable to make sense of his children.
These same shots were often shot in one take because film was expensive and the Disney Brother’s budget was limited. When a live action sequence called for an outdoor shot, Walt and Roy would make due with just about any location they could find - from their uncle Robert’s yard (seen in Alice’s Day at Sea) to vacant lots where they could film for a small fee. It was clear that the duo would need a larger studio lot with a soundstage. It was then (late in 1925), that Walt an Roy began to consider purchasing a lot on Hyperion Avenue in the Silver Lake district of Los Angeles. After their 12-and-a-half-minute “demo-reel” won the attention of cartoon shorts distributor Margaret Winkler, Walt and Roy would need to rent an office space in order to house their expanded staff and meet their production schedule. The brothers hired their very first employee - Kathleen Dollard to “blacken” (or, darken) their pencil lines.
Drawing also makes the characters one with their universe; the look of the Simpsons or the Harpers or Hills is also the look of their home, their street. One noticeable advantage of cartoon settings is that they’re less aspirational than their live-action counterparts. You could write a paper on what’s on the kitchen counters. But as I pointed out in my post about Googie architecture from last year, the artists and animators working on “The Jetsons” didn’t really need to leave their own backyards for inspiration. The Hanna-Barbera Studio which produced “The Jetsons” was in Hollywood and in the late 1950s and early 1960s buildings all across Los Angeles had that mid-20th century modern look that would become identified as Jetsonian.
Owned by his Uncle Robert and Aunt Charlotte, Walt rented his Uncle’s garage space to set up a makeshift studio for $1 a month. If you’re planning a trip to Southern California any time soon, here’s how you can visit each Los Angeles home belonging to Walt Disney history! From brief apartment stays to a million-dollar mansion, Disney fans can track the humble cartoonist’s rise to the top through the first half of the last century.
The humor can be a little dated — although Jack Burns’ conspiracy-minded racist neighbor feels unsettlingly current — but the design, with watercolor furnishings floating on bright fields of color, is bold and still fresh. Its structure is that of a single-camera sitcom; indeed, its pilot script, first realized in animated form as a segment on “Love, American Style,” also was filmed in a live-action version, starring Van Johnson. Where most every sitcom or drama looks more or less like most every other sitcom or drama, every cartoon has its own way of picturing the world.
After marrying Lillian Bounds, an ink and paint girl at his Studios, the Disney couple moved into their first Los Angeles apartment from 1925 to 1926. Then, their second rented apartment, a location at 1307 N. Commonwealth Ave, became home until 1927, although it has since turned into Sunset Nursery.
This small “museum” has attracted numerous groups, organizations and individuals over the following decades. During 2016, the Chicago based non-profit “Walt Disney Birthplace” group organized tours of the facility. In 2016, D23 and Mickey Mouse would pay a visit to his creator’s first studio address. Ben would promptly write the Walt Disney Archives with an inquiry confirming this new information and also inquiring about assistance to preserve the site. A few months later in June, Ubbe Iwerks would move from Kansas City to assist with animation, and Walt would begin to focus on directing and story development.