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Though devastating, this chain of events would ultimately climax with the birth of the world’s most iconic and recognizable cartoon character - Mickey Mouse. By December of 1925, Charles Mintz was asserting a tighter grip on Walt Disney! With a staff of just seven, the Disney Brothers Studio was struggling to meet the production schedule deadlines in force by Mintz. In addition, Walt’s creative direction was constantly being hampered by the pushing from the distributor’s own insertions. Walt’s choice for Alice (Virginia Davis) had recently been swapped by Mintz for the problematic Margie Gay. As if that wasn’t enough, the six minute films began to push aside Alice, because Mintz considered Alice virtually inconsequential to the success of the series despite Walt’s vision.
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Among the not-all-that-many new series premiering this second pandemic fall television season is Paramount+’s lively “The Harper House,” a situation comedy starring Rhea Seehorn. It’s about a family that, having lost its main source of income — the mother’s job — moves from the richer side of town into a fortuitously inherited property on the poorer side. That’s not an unfamiliar premise in the history of television, but what sets “The Harper House” apart is that it is a cartoon. Another building which clearly inspired the architecture of the Jetsons universe was the Chemosphere. Designed by John Lautner and built in 1960, the home looks like it could take off into the sky like a flying saucer at any moment. The Chemosphere sits in the Hollywood Hills and has been an incredibly popular shooting location for films and TV shows that need a futuristic feel — including a 1964 episode of “The Outer Limits” set in the 21st century.
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This would prove most advantageous for Walt because he would be able to briefly find rooming with his uncle Robert. So, with just $40 in his pocket and his prized pilot film, Walt Disney left Kansas City bound for California. As in the olden days of radio, casting is unrelated to physical type, age or even gender.
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But as I pointed out in my post about Googie architecture from last year, the artists and animators working on “The Jetsons” didn’t really need to leave their own backyards for inspiration. The Hanna-Barbera Studio which produced “The Jetsons” was in Hollywood and in the late 1950s and early 1960s buildings all across Los Angeles had that mid-20th century modern look that would become identified as Jetsonian. Black city, silhouette of modern high houses, vector icon.
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In fact, it was just a TV shoot for “Naked Planet,” a spoof on the late 1950s ABC show “Naked City.” Thinking that mobsters want to snuff him out, George goes into hiding with Astro at Mr. Spacely’s vacation home in the woods. Green park landscape with grass, trees, flowers and clouds. Now registered as a historic landmark, Walt first boarded at the one-story bungalow at the age of 21 upon arriving in Los Angeles in 1923.
Jetsonian architecture also seems to draw from the work of Charles Schridde in his series of ads for Motorola in the early 1960s which ran in the Saturday Evening Post and Life magazine. You can get away with things in a cartoon you couldn’t in a live-action series, or that at least would register differently. It is hard to imagine Bill Burr’s profane 1970s serial period piece “F Is for Family,” on Netflix — a show that runs long on humiliation, trauma, shouting and a very real sort of violence — coming off as funny or ultimately sweet as it does if it weren’t a cartoon. In early episodes of “The Simpsons,” Homer would grab Bart by the throat and squeeze; try that with live actors and wait for the tweets.
Tall actors may play short people, young actors may impersonate seniors, plain people may play beautiful ones; it’s fluidity nonpareil. On “Bob’s Burgers,” mother Linda and daughter Tina are played, respectively, by John Roberts and Dan Mintz; Regina King voiced brothers Riley and Huey on “The Boondocks”; and on “Duncanville,” Poehler voices both mother Anne and teenage son Duncan. Sadly, the home in North by Northwest is not a real house that you can visit, but was instead built on an MGM set.
DISNEY BROTHERS CARTOON STUDIO (1923 -
After marrying Lillian Bounds, an ink and paint girl at his Studios, the Disney couple moved into their first Los Angeles apartment from 1925 to 1926. Then, their second rented apartment, a location at 1307 N. Commonwealth Ave, became home until 1927, although it has since turned into Sunset Nursery.
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Above all, there is “The Simpsons,” which came along 17 years later, the first prime-time animated show since “Wait” to center on a more or less ordinary human family. Satire was always a point of the show, but the fact that the family was tied together by something more than expediency, something that might on a good day be called love, was key to its success. The architecture from “The Jetsons” clearly takes cues from architects who worked in the midcentury modern/Googie style, like John Lautner and Oscar Niemeyer. Jetsonian architecture also seems to draw from the work of Charles Schridde in his series of ads for Motorola in the early 1960s which ran in the Saturday Evening Post and Life magazine. The architecture from “The Jetsons” clearly takes cues from architects who worked in the midcentury modern/Googie style, like John Lautner and Oscar Niemeyer.
Extra Copy opened in 1994, and shortly thereafter owner Ben Chaaban would first be made aware of the former Disney Brother’s Studio at his shop’s address. This revelation would come upon receiving an emotional visit from an older woman who once worked there. That older woman was Ruth Beecher, sister of Walt and Roy Disney. Throughout several decades and owners, the former Disney Brothers Studio Kingswell address would begin to gain a cult following but only little recognition. During the 1970s, Walt Disney Archivist Dave Smith would write an article about the Los Angeles address of “the first Disney Studio” which would appear in the Disney Times (July, 1979). You might recall that Elias’ brother Robert moved from Marceline upon his retirement, and purchased property in a neighborhood on the border of Hollywood and Vermont.
Next, the Disneys moved to this five-acre, idyllic storybook-style home in 1932, staying until 1950. Featuring a screening room, home gym, and even a miniature Snow White’s cottage in the yard, current owner Timur Bekmambetov sometimes allows private viewings of the house through Los Feliz tour organizations for limited periods of time. Trying times and victories were ahead for Walt and Roy. Charles Mintz would end Walt’s cherished Alice Comedies and demand that Walt create a new character - Oswald the Lucky Rabbit. Finally (in a manipulative business move), Mintz would assume ownership of the newly created Oswald character and steal away most of Walt Disney Studios’ staff.
This location was ideal as it was a short walk from their uncle Robert’s home where Walt was currently sleeping. Within a short time the brothers found living arrangements in an apartment and then a rented room all within a quarter of a mile from the Disney Bros. It would be simple to reboot “King of the Hill” as a live-action production, to locate actors who resembled their animated counterparts, to re-create the Hills’ house in perfect detail and proportion.
During 1924, a total of ten Alice one-reel short films were created inside Disney Bros. Studio on Kingswell Avenue, owing largely to a demanding schedule imposed by Margaret Winkler’s fiancée Charles Mintz. Other former Laugh-O-gram staff would soon join Ham’s move to California and help with the production of the Disney Brother’s Alice in Cartoonland series. You can go back, prehistorically, to Hanna-Barbera’s “The Flintstones,” the “modern Stone Age family” comedy, which premiered in 1960 on ABC. That vacation home – Mr. Spacely’s “old fishing cabin” — is one of my favorite examples of Jetsonian architecture. Probably because the building bears a striking resemblance to the villain Vandamm ‘s hide-out in Alfred Hitchcock’s 1959 film North By Northwest.
Cottage house facede vector city street view buildings of town house face side modern world house building flat architecture illustration cottage residential house construction cityscape houses. Commercial residential business buildings illustrations in dimetric isometric view in 3d cartoon style. Family house, work office and factory with solar panels.
Though these experiences are looked back upon as “happy times”, each visitor is important to the kindly caretaker Marina who generally runs the shop during its hours of operation. During our visit, she briefly took time to show us a few photographs and reflect on individuals who have visited from Florida, and even Japan. Numerous Walt Disney Company employees, Walt Disney Studio staff, Disney Parks employees have visited and brought stories and gifts for Extra copy’s Disney museum. Thanks to some individuals who worked here, a floor plan was reconstructed. This displayed floor plan helps visiting guests find the locations of Roy’s desk, the inker’s desks, and even the old camera room used to shoot the drawings of Alice’s Cartoonlandsettings and cast.
Old run-down house remodelled into cute traditional suburban cottage. Four vector buildings sketch drawings in perspective view with trees. There were twice as many animated cartoons produced during 1925 than the preceding year. This is because Winkler Pictures began to demand an increased production schedule of two short films every month. A close examination of photographs of Disney Brothers Studio taken during 1925 reveal that artwork was displayed in the window and near the doorway to advertise the popular Walt Disney “comics” produced here. With a $500 loan from their uncle Robert and their first check from Winkler Pictures, the Disney Brothers moved into their first studio, in the back room of Mc Rae & Abernathy Holly-Vermont Reality at 4651 Kingswell Avenue (in the modern-day Silverlake district).
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